[Experienced, knows she's watching, square shoulders, solid, built for speed and sure-footed - she'll be dangerous, but that's what Peggy wanted.
When Ginia turns, she steps away from her shoes and walks forward, the pencil skirt hugging her hips giving her the normal 1940s sway. It's an act, the skirt isn't as tight as it looks and she's more than capable of kicking in it, but she's got her eyes on Ginia's to see if she notices that. Her gait is easy and she steps up to the mats, walking like a dancer might - or at least someone accustomed to heels - toe first, weight down on the pad of her foot, then the heel. She turns to face Ginia and keeps her arms relaxed at her side - but there's tension in her jaw, ready for whoever has to throw the first blow.]
[Action]
When Ginia turns, she steps away from her shoes and walks forward, the pencil skirt hugging her hips giving her the normal 1940s sway. It's an act, the skirt isn't as tight as it looks and she's more than capable of kicking in it, but she's got her eyes on Ginia's to see if she notices that. Her gait is easy and she steps up to the mats, walking like a dancer might - or at least someone accustomed to heels - toe first, weight down on the pad of her foot, then the heel. She turns to face Ginia and keeps her arms relaxed at her side - but there's tension in her jaw, ready for whoever has to throw the first blow.]
How long have you been fighting?